︎ Set 91 ‘Under Archives’ 2025
Poster designs for Set’s Under Archives exhibition at SET 91.
With the work rooted in thread-work and embroidery, I developed a visual language that draws from those materials - scribble-based forms that resemble tangled thread, paired with simple illustrations of needles and stitched lines.
Poster designs for Set’s Under Archives exhibition at SET 91.
With the work rooted in thread-work and embroidery, I developed a visual language that draws from those materials - scribble-based forms that resemble tangled thread, paired with simple illustrations of needles and stitched lines.
︎ Heraldic Visual Sequencer 2025
Heraldic Visual Sequencer is a custom built generative tool for creating animated compositions from a modular library of heraldic imagery. The interface was coded to allow real time control over motion, layering and trail behaviour, enabling thousands of unique visual combinations for performance, projection and audio-reactive contexts.
Heraldic Visual Sequencer is a custom built generative tool for creating animated compositions from a modular library of heraldic imagery. The interface was coded to allow real time control over motion, layering and trail behaviour, enabling thousands of unique visual combinations for performance, projection and audio-reactive contexts.
︎ I Love My Wife 2025
Poster designs for ‘I Love My Wife’. For Louis Blooey.
This ongoing project takes the phrase I Love My Wife and treats it as a shorthand for affection in all its forms. The posters focus on a mix of straight, gay and lesbian couples, all shown with the same ease and warmth, so the title naturally opens up to more people than it first suggests.
The posters borrow from familiar pop-cultural formats and twist them slightly, using connection and couplehood as a simple, recognisable language. That approach fits the tone of the nights themselves- playful, welcoming, and rooted in real community rather than cool detachment.
Poster designs for ‘I Love My Wife’. For Louis Blooey.
This ongoing project takes the phrase I Love My Wife and treats it as a shorthand for affection in all its forms. The posters focus on a mix of straight, gay and lesbian couples, all shown with the same ease and warmth, so the title naturally opens up to more people than it first suggests.
The posters borrow from familiar pop-cultural formats and twist them slightly, using connection and couplehood as a simple, recognisable language. That approach fits the tone of the nights themselves- playful, welcoming, and rooted in real community rather than cool detachment.
︎ Midland > The Loft 2024
Dynamic poster design for Midland, Partok and Nusheen during my residency at the Loft.
Dynamic poster design for Midland, Partok and Nusheen during my residency at the Loft.
︎ Ellery Logo 2025
Ellery Ident
My studio identity is a study in contrast: a modern vector sparrow set against the rigid historical aesthetics of heraldic crests and shields. It is a visual shorthand for a philosophy defined by duality - pairing the unlikely to create the unique.
I explore the intersection of conflicting aesthetics. It is historical research applied to modern contexts. It is the collision of messy analogue craft and precise digital tools. It is an art mindset delivering graphic design outcomes. The elements are linked but separate - opposites working together to create something stronger.
Grill: @SaintLas
Ellery Ident
My studio identity is a study in contrast: a modern vector sparrow set against the rigid historical aesthetics of heraldic crests and shields. It is a visual shorthand for a philosophy defined by duality - pairing the unlikely to create the unique.
I explore the intersection of conflicting aesthetics. It is historical research applied to modern contexts. It is the collision of messy analogue craft and precise digital tools. It is an art mindset delivering graphic design outcomes. The elements are linked but separate - opposites working together to create something stronger.
Grill: @SaintLas
